
Innovation
I have explored new ways of extending my visual reach by experimenting across mediums and processes. From using sound vibrations to shape sand patterns, to projecting moving images and painting within them, to creating and manipulating my own marbling paintings—each method allowed me to translate movement, texture, and time into unique visual outcomes.



Sand Soundscape
Using a speaker and a metal plate, I created shifting sand patterns through sound vibrations. As different frequencies played, the sand responded by forming intricate, symmetrical shapes—a visual expression of sound known as cymatics. This piece reveals how invisible waves can shape the physical world in beautiful, unexpected ways.
Projection
Using close-up photos of swirling marble experiments, I projected the visuals onto a wall and painted directly onto paper placed within the projection. Guided by the shifting forms and colours, each mark captured a moment from the fluid motion—transforming light and movement into a static, hand-painted record.
Marbling
Using marble inks, pipettes, and various tools, I explored the fluid dynamics of marbling by creating my own patterns on water. Each piece was a result of controlled chance—where movement, colour, and timing interacted to form unpredictable, organic designs. These experiments focused on capturing the beauty of motion in a single moment.
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